holy motors reddit

 

You were on a roll, and this sealed the deal. On the surface it reminded me a lot of Borges' short stories The Lottery in Babylon, and Inferno, I, 32. The emotions that he is trying to express, as an actor. I didn't enjoy this movie. Well, whether you like it or not, this is what originality is. Kylie Minogue attends the UK Film Premiere of 'Holy Motors' at The Curzon Mayfair on September 18, 2012 in London, England. The film is full of cinematic references and each of Oscars appointments is a play on something we've seen before. To me, this film is a mournful tribute to cinema. I know this is an old thread but whatever.. But the tragedy of Oscar is that we'll never really know who he could have been as a 'real' person, and neither does he. A critique of everything and in praise of everything. I could pick up bits and pieces, but that's it. is shocking. A really nice film, although I still don't understand the limo scene at the end. If anything, I felt the film couldn't decide if Oscar's story mattered or not. Its thematic is really deep, on the second viewing the "Revivre" sequence had the end made a lot more song (perfect song choice), it made the film being more than just about actors. I've loved all of them, and watching normal films doesn't feel quite the same afterwards. Tesla (formerly Tesla Motors) is an energy + technology company based in Palo Alto, California. Overall, this is a movie about art in it's various forms, there is a nod to the future of film and the transition to digital, and numerous times the film references itself in a subtle yet smart way. Holy Motors - Rent Movies and TV Shows on DVD and Blu-ray. plus-circle Add Review. Finding it. The connection is based around … The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed. Deny Lavant is incredible. Perhaps he is being recorded, but I doubt it. This was an incredible movie. Holy Motors, written and directed by Leos Carax.. Expressing it. I think you're on the right track here, with the contradiction between Carax's (Oscar, and the limos) lamenting of the changing media landscape and the path this movie took to audiences. It pays loving homage to everything that makes movies great; from deathbed melodrama to surreal abstraction, "HM" covers it all, while also lamenting on the possible future of the medium, I think Mr.Oscar is the living avatar of the actor, shfting from place to place, warping his personality accordingly. And Denis Lavant’s penis is rather nice. 17 were here. But I think he is aware of that contradiction, and that the critique is a bit tongue-in-cheek and knowing. Hi there TrueFilm, this is my first post. Tom Long writes a great review emphasizing this, and adds, "By the time this film's over, you're shaken, intrigued and reminded that art doesn't need to add up to be entrancing.". Quite the experience that film was. There is no audience in this world, only roles being played. “Holy Motors,” from the French filmmaker Leos Carax, is a dream of the movies that looks like a movie of dreams. I'm not sure it's quite as brilliant as others are making it out to be, and I'm sure I didn't get all the references, but it was very enjoyable and a nice break from the rigid conventions of most films. All in all, I think if you can find a penetrate it, I think you'll find a very personal movie concerning one man's eulogy for film. I was laughing all the way when he started to play with the band. Honestly, and I say this with film school friends and love for film myself, it's a wank. That was the only thing that kept me going through the end. Carax may be a film die-hard, but this isn't a grumpy old man film... at worst it's resignation, but I think it's more like acceptance. In fact, the only reason that Holy Motors is shot on digital is, by all accounts, out of convenience, not a want to use it. -Who was watching these appointments? Definitely a movie that starts to makes sense the more you reminisce about it in the days after watching it. I really loved Holy Motors, it's probably my favourite film that i've seen this year. So many amazing, surprising things in this film, but it couldn't juggle all the balls it had in the air well enough to keep from dragging by about 2/3 through. Every time an "appointment" started and began developing, I couldn't look away. Sorry if I am rambling and incoherent. I love the themes about all of us playing our different roles, and that subtle notion of all of humanity being the same rings true in both Cloud Atlas and this. And along with him, the emotions we're trying to receive as an audience. It's suggested both that there are cameras everywhere and that no one may be watching. He steals Eva Mendes into his cave, beauty removed from fetish, and pops a boner. I loved this film. The only thing I didn't get/really didn't like was the very end with the talking cars. And, although Oscar laments the digital future the film itself proves him wrong. But the more I think about it, the more I love it. I would simply take Oscar to be the various attitudes and possibilities directed towards the medium. The original and largest Tesla community on Reddit! The photography is beautiful. I saw it during the final day of the Chicago International Film Festival (which it won best picture at) and again at the Music Box when it came to town. For that matter, why does Oscar feel the need to pull over and shoot the banker if it's not a scheduled appointment? I … The field of view is also wide enough that you can see the bottoms of the motors in the view of the camera. -Oh and now the cars talk. I'm still digesting in the same way I did after watching Adaptation. Sometimes the larger film would do something so startling and absurd it was almost winking at you, pointing out that these vignettes were tiny meta-movies, but other times it wasn't even clear what was what. This is actual my biggest issue. That being said, let's talk about Leos Carax's latest film "Holy Motors. Holy Motors is a French Film from Director Leos Carax. Is everyone in this world actors, every moment is it's own movie? 1-month free trial! I'm not sure how well this worked as a film but as a commentary on the current, and presumably near-future status of the "professional" film making industry, I think it is truly fantastic. And there are few key moments for Oscar—with the other actors Kylie Minogue and Elise L'Homeau—where you can tell he's desperate for a true relationship with somebody, not just something staged. It's possible that a second viewing would throw up some nuances to perk my interest, but at the moment it hasn't left me thinking about it and there's nothing that entices me to watch it again. He's not even sure there is an audience anymore. It's an attitude towards film. this is a work in progress, an unmixed test. Despite the mournful tone of many of Oscars appointments and even in the "real" scenes, I don't think the film on the whole is "lamenting the possible future of the medium". I know it's not a science fiction film, and it's probably rude to try to evaluate it's fictional world on that level, but I feel it was the world wasn't important, it could have easily been abandoned, leaving the mini-films by themselves. There's a genuine sense of sadness that pervades alll of the proceedings with Mr.Oscar's cynical quip about modern technology and the final discussion that the limo's have amongst themselves. I had read some before hand which got me excited about watching the film, but after it was over I went back and re-read them and I could not connect at all with the sense of "joyous energy" they claim was permeating the film. And it shows how narrative can be overrated, to an extent. Directing is also acting in some sense. Holy Motors is an amazing film and shouldn’t be fucked with. So this begs the question, what could possibly motivate someone in Oscar's position? Both end with their limousines going home for the night, answering a question asked in "Cosmopolis," although when the limo in "Holy Motors… comment. My interpretation of the film was that all the vignettes weren't supposed to correlate in the linear-logical sense that most movies do. And I just think Kylie Minogue is gorgeous, so her scene had me from the start. Others, like the kidnapping of the model, didn't jive so well. Emotions in everything, even cars, and wake us up instead of leaving us like that sleeping crowd at the beginning. Leos Carax, the French writer and director of the wondrous and wicked Holy Motors, has met the challenge of filming the visions dancing and dueling inside … An interesting idea, but nothing to really suggest this. First off, I definitely don't watch enough french cinema to grasp a lot of the references that were being thrown at me. ", To me, this film is a mournful tribute to cinema. From dawn to dusk, a few hours in the shadowy life of a mystic man named Monsieur Oscar. He amuses himself by playing roles. I am a fan of films which reference past films although it's usually such a cursory thing, more of a nod to people in the know than a thematically important thing. Film: Colo (2017, Teresa Villaverde)Edit: Nikos Liolioshttps://holymotorsband.bandcamp.comhttps://www.facebook.com/holymotorsband/ Reviews There are no reviews yet. EDIT: Also, I'd say that what the film says about acting is more about creators of art in general. Holy Motors is a 2012 fantasy drama film written and directed by Leos Carax, starring Denis Lavant and Édith Scob.Lavant plays Mr Oscar, a man who appears to have a job as an actor, who inhabits several different roles a day, but there are no cameras filming the man's performances or audiences watching. I definitely recommend this movie for everybody. In the former agents from The Company carry out its wishes, which may range from releasing a particular bird from the top of a tower to assassinating some unfortunate soul. ... That is a lot of failing grades for the Amazon review of the Holy … They may occasionally inhabit a role, but only for convenience or entertainment. I mostly don’t submit to talking about my work because I would like another talk about real life. I really loved Holy Motors, it's probably my favourite film that i've seen this year. And I heard the director sort of explain the meaning as something related to the anonymity of the internet. He does not fear death, and he has a postmodern understanding of, well, nearly everything. If actors don't die and it's all for show, however, why does Oscar scream when he discovers his old flame after having jumped off the building in her appointment. That being said, let's talk about Leos Carax's latest film "Holy Motors." If so, why bother with appointments at all? I think that's one of the key reasons I love this film, it gets me excited about what cinema can be and do which only a few films accomplish. How was I supposed to be viewing all this? Some of the vignettes, like the man picking up his daughter from a party and the really spectacular looking motion capture scene, worked really well. Is everything a movie all the time for these people? Every single one. 53 records for Holly Gaines. The role that embodies everything an actor does and aspires to do;the same goes for all of the other people with "appointments" throughout the film (Kylie Minogue and Elise L'Homeau). I'm sure that most of you know that, despite notable holdouts like Tarantino, standard film is on the way out. I agree with everything you said. I still feel like i've only scratched the surface of the film which is really exciting. It opens wih a shot of people in the theater watching a film, suggesting that film-watching experience is a dreamlike state. It is the final form of reality television. Here, with Denis Lavant's character becoming different people throughout the film, starts off confusing, but just becomes a blast if you just go with it. It's very, very well directed, things that shouldn't work on paper (the end of the motion capture sequence, or of the M. Merde one) work perfectly. Vorschau zum Film "Holy Motors" von Arsenal Filmverleih Kinostart: 30.08.2012http://www.radio4players.com Was this just a collection of images that spoke to the beauty of cinema, or did the fantastic world these images were placed carry some weight on it's own? Carax himself took a big break after Pola X, creating can be an extremely draining thing. By the ending I wasn't all that engaged and when Kylie Minogues scene came around I was already waiting for the ride to be over. To me, that's what the film is about more than anything, emotions. "Holy Motors" is the more entertaining and funny of the two, although some parts are not funny at all, and many laughs are of disbelief or incredulity. And there are a lot of really great moments, the opening dream, the accordion entract, the father/daughter dialogue, the Kylie Minogue song, Revivre... A film that made me love cinema even more. That was a really good explanation. A lot of people complain about the lack of originality in modern cinema. And most important of all, while I didn't cry, I was overwhelmed with the musical number that was sung to him by the end. Every segment is so different and the entire film so fun that it's very hard not to enjoy this journey exploring the experience of being human. He gives each of his roles a unique physicality, and he is completely invested... only to later drop the act and shift into a different one. He has the ancient, weathered face of a guy who has seen too damned much but the compact, athletic body of a much younger man. So it failed for me in that way. Perhaps then we can even say that the film inculcates in us the question whether this single medium can possibly survive into the future without a unifying sense of what that future is; a series of vignettes that can never truly align. I feel like there may have been some interesting themes, but they were so bogged down by the question of "am I supposed to care about this, and if so, how?". The brilliance of it is in the randomness and the raw emotion it is able to express -- real emotion. The ending makes it seem that it's about Carax's nostalgia for a way of life that is gradually ceasing to be as digital and mobile technologies take the lead, and perhaps about acting and how the internet is giving us the ability to take on the persona of whomever we wish to pretend to be. That's what I got out of it anyway, what about you? It was okay. I think that hurt my understanding or enjoyment of a lot of the film. HOLY MOTORS di PAOLO MIRI - riparazioni - customizzazioni - ricambi - accessori per moto While the film seems to miss the way things were and acknowledges that most tales have been told, it proves that there's still new ways to tell these stories and digital can actually help us in striving towards originality. Their mission is to accelerate the world's transition to sustainable energy. if I had to say it in a borderline cheesy way. I just finished watching this film. Holy Motors is a French Film from Director Leos Carax. Holy Motors is a 2012 fantasy drama film written and directed by Leos Carax, starring Denis Lavant and Édith Scob.Lavant plays Mr Oscar, a man who appears to have a job as an actor, who inhabits several different roles a day, but there are no cameras filming the man's performances or audiences watching. Carax doesn't dilute the film's meaning, and sometimes he directly tells you what the segment is about. It's nice to sit in a theater and feel like you're in the hands of a director who's taking you for a ride and not know where things will go. Minogue is fine, but “Holy Motors” rests almost entirely on Lavant, a longtime Carax collaborator. The film is shot on digital and even got a simultaneous theatrical and digital release. Is the banker another actor? He's poking fun at all the hand-wringing over digital and other changes in cinema. I was deeply impressed by the complete unpredictability of this film, but also underwhelmed by what I felt was a lot of muddled inconsistancies. Reminded me of Luis Bunuel, specifically The Discreet Charm of the Bourgeoisie, the way the situations became more and more surreal, and the way it kept playing with different levels of reality. I also think, as I mentioned earlier, that the film is mournful. However, Holy Motors does the opposite: it employs and applies Surrealism traditions to the film medium in order to encapsulate cinema. I definitely agree with the OP about the "living avatar of the actor" and Oscar's by-god aspiration as well as his total exhaustion. So why watch an homage to film instead of watching films? Now, I may be very, very wrong in all this: As I saw the film a few months ago. Holy Motors was my favorite film this year. When I said "eulogy for film," I meant film as a thing, not film as an art form. The cinematography was beautiful and a few of the long tracking shots had me sitting in amazement (the accordion interlude comes to mind). Yeah. An unofficial forum of owners and enthusiasts. Press question mark to learn the rest of the keyboard shortcuts, http://www.examiner.com/article/holy-motors-intrigues-astonishes-and-baffles?cid=rss. What is the mix-up Celine refers to? The film follows a day in the life of Monsieur Oscar who is, as we can tell, a businessman… When I watched it, I did not make the connection with acting and for the most part "didn't get it". Be the first one to write a review. I feel, however, that if you take a film that invests time into a character you receive an equally satisfying connection to many characters that interact at the same time. Starring Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue, Michel Piccoli. Apparently not, since he survives both a stab wound to the neck and being repeatedly shot in the chest. Oscar was performing in were clearly the focus, not the story of him personally. holy motors are from estonia and we've just recorded an ep here in berlin. It was really great to see Lavant reprise his role as M. Merde (he was the final short in 2008's Tokyo!). You get this sense like he's the best reality TV actor ever, acting totally unaware of the camera. In the end, I found it more to be about the absurdity of life, how we can all be the same person, but play completely different roles in life as circumstances dictate. I loved the ending with him coming home to the family of chimps in his last appointment and the accordion interlude was probably my favorite scene, but didn't really care for the talking cars scene as that was kind of silly to me. I was intrigued and in full of suspense when he went to kill that guy in the streets of Paris and the moment when he is cut (by himself?) But Holy Motors really ties its cinematic references so tightly to its themes that that gives them an importance and relevance that's not usually present in most reference-heavy films. Don't underplay its entertainment value; this film is an experience before a thought-process. That the audience is looking to feel, not necessarily follow a film.